You understand what I mean? Night Moves is a good film, but it needs to be a great film.
Why? The story is intriguing enough and it certainly holds many of the traits found in film noir, but it just doesn't have the "oomph" that it needs. It's impossible not to enjoy watching a mystery as it unfolds.Īrthur Penn's Night Moves is good example of noir, but it isn't a fantastic film. Each noir film has an underlying meaning, and they all deal with dark themes: greed, murder, corruption. There are so many likable characteristics about it. With a cast of solid leads and with a lovely visual feel, Night Moves has a groove all to its own and while never reaching grand heights, it’s certainly a sight bit better than many of its more explosive yet idiotic thriller counterparts and a breath of fresh air for those that like their movies tinged with a slower pacing.Noir is such a provocative genre.
Night moves cast movie#
Night Moves is a film too ponderous for the mass market of movie lovers yet it has a humble and effective feel to it that allows those that go along with it to be invested and on edge with what is taking place. The lead cast of three produce an uneasy and well played out chemistry that fits this tale well and along with Jeff Grace’s moody score and Christopher Blauvelt’s stoic cinematography, creates a real unique feel to this non-conventional thriller. Eisenberg is ably supported by another grown up turn by Dakota Fanning who can still deliver dialogue in a unique way and Peter Sarsgaard in another one of his somewhat creepy loner roles.
Once the films central act becomes old news the film takes on a less effective yet in the end scenes, tension raddled aspect that sees Reichardt’s cast come to the forefront.Įveryone’s favourite bundle of nervous edginess Jesse Eisenberg is front and centre here in Moves and his natural persona fits perfectly for the characters of Josh, a young man clearly dedicated yet not overly ready for the repercussions of his actions, even if they are in theory, for good. Reichardt’s slow burn pacing and nearly non-existent background work actually works incredibly well in setting up Moves central plot devise, that of an act of eco-terrorism in the blowing up of an energy dam.įor the first hour or so here Reichardt ratchets up the tension to an incredible level and it’s not through scripting or clever edits, merely through a methodical pacing that almost feels as if it’s playing out in real time, making the audience feel a part of whatever is about to go down. This new direction we speak of is that of the eco/environmental thriller, a new sub-genre that has sprung up in recent years as the continued focus on the earth’s natural demise has been more prevalent. Reichardt specialises in a sort of pondering, slow paced narrative that has seen her reach some great heights ( Wendy and Lucy) and some real lowlights ( Meeks Cutoff) that now with Night Moves has seen her move into an interesting new direction without losing the style that has gained her a steady stream of critical praise over her years in the industry. They have to”įor anyone familiar with famed indie director Kelly Reichardt’s work you know what you’re in for with Night Moves.
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The fallout of this act however will test the three people more than they had planned. Plot – Environmentalist Josh (Eisenberg) teams up with kindred souls Dena (Fanning) and ex-army vet Harmon (Sarsgaard) to take down a hydroelectric dam that they see as part of a much bigger problem affecting the natural environment. Director – Kelly Reichardt (Wendy and Lucy)Ĭast – Jesse Eisenberg, Dakota Fanning, Peter Sarsgaard, Katherine Waterson
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